M. FORD CREECH ANTIQUES

 RUSSIAN TOLE TRAY MOUNTED ON STAND
First Quarter 19th century, the stand later

 

The crimson painted tray of oval two-handled form, the center with a transfer and overpainted scene of Istanbul,

surrounded by broad band of gilt arabesques, mounted on a later gilt heightened crimson stand.

 

Condition: excellent; several areas of inpainting in the sky

20" H x 26 1/2" L x 18 1/4" D

Price: Please Inquire

 

We welcome and encourage all inquiries.  We will make every attempt to answer any questions you might have.


RUSSIAN NEOCLASSICAL FURNITURE

 

During the second half of the eighteenth century, Russia was to witness an unrivalled program of palace building, particularly under the

enlightened rule of Catherine the Great (1762-1796). On June 28, 1762, Catherine dethroned her husband, Peter III, thus beginning a thirty-four

year reign that would see her country become not only a modern state, but a power equal to the most significant of her European neighbors.

During her sovereignty, Russian territory expanded, the arts and sciences flourished, and many of the great palaces were built.

So significant were the advances made in this period, it would be remembered as “the magnificent age.”

 

Closely linked to the construction of new palaces in Russia is the history of furniture manufacture. So many luxurious new buildings required

 appropriate furnishings, but without a significant source in Russia itself, the majority in the early period was imported from Europe. However, once

 the need was established, Russia would soon develop her own cabinet-making industry, the significant growth of which can be seen in the records

of the Lepke sales, held in Berlin on behalf of the Soviet authorities on 6-7 November 1928 and 4-5 June 1929. The number of lots of Louis XV

furniture (pre-1770) in Russian sales is three times that of furniture made later, suggesting a significant decline in furniture imports post-1770.

 

A feature that distinguishes the work of Russian cabinet-makers from their Western counterparts is their departure from strictly neo-classical patterns

 and designs. While their work does of course refer to these established motifs, their interpretations have a far more intimate and bucolic nature.

 

Antoine Chenevière: Russian Furniture Weidenfeld & Nicolson. London. 1988.

 

For information, call (901) 761-1163 or (901) 683-4668 or email mfcreech@bellsouth.net 

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