M. FORD CREECH ANTIQUES & FINE ARTS

 

 

THIS YEAR, FOR FATHER'S DAY...      

    

  

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Boys and boats - buy him a big boat that uses no fuel....

 

GEORGE LOFTUS NOYES

American 1864-1954

    

A Blue Day, Gloucester

Oil on Canvas on Board
signed, titled and inscribed "Gloucester" on the reverse

Provenance: An Eastern Connecticut collection

  

George Loftus Noyes was an accomplished Impressionist landscape painter of the Boston School.

In 1900, he began teaching a summer class at Annisquam, MA, and one of his first students was

N.C. Wyeth. He painted at Fenway Studios, 1908-10. He traveled extensively, painting in Europe,

North Africa, and Mexico. His last major exhibition was in 1927; thereafter, the style of his work

weakened as he aged in Vermont. In 1939, a studio fire destroyed a significant portion of his life's work.

His work is housed in 8 museums, and depicted in The Glow of Sunlight, Paintings by George L Noyes,

by Nancy Allyn Jarzombek.

 


 

 

Or a glass depicting Masonic chivalry - with three well-endowed women....

 

MASONIC INTEREST ENGRAVED ODDFELLOWS RUMMER

England, Late 19th / Early 20th Century

   

The glass low rummer, engraved with the quartered shield for the Oddfellows Lodge,

(hourglass – time; beehive – industry; crossed keys – knowledge and thrift; and lamb and

 flag – sacrifice and innocence) centering a shield with rose (England), thistle (Scotland), leek

(Wales) and shamrock (Ireland); surmounted by the terrestrial globe (universality of mission)

enclosed by laurel (victory of mission) below the open hand with the heart in the palm

(friendship and love by which the mission is carried out), between figures of Charity with an

orphan child on one side and a widow the other, Hope with an anchor at her feet, and Faith

 with the cross; all above the motto Amicitia Amor et Veritas (Friendship Love and Truth),

the reverse with the initials R G M within a berried cartouche

SOLD

 


 

 

Or a tiny bit more space for his office- one for money, one for show....

 

TWO GEORGE III MAHOGANY MINIATURE SLANT-FRONT DESKS

England, c1810

  

Left: fully functional 7.25" desk, with a fitted interior, over slides and three graduated  long drawers, raised

on later gilt-metal ball feet, bearing the label Fabrics, Furniture, Antiques/Redman & Sons /Witham/Essex’.

Right: the miniature desk as a bank, the reverse with coin slot; 8 ½”High,

together with an 1874 Victorian coin found within

  


 

 

A dog really is man's best friend - but perhaps he doesn't have the time to walk one....

 

HAN DYNASTY POTTERY STANDING DOG

China, 206 B.C. – 220 A.D.   

   

The grey-green clay dog standing four-square with ears erect and curled tail, wearing a harness,

some original red-brown slip remaining, with flecks of white slip

 

Each year on March 3, at an ancient temple in the Tongbai Mountains in Southeast China, local

residents hold a grand ceremony honoring Pangu the mythological dog-headed figure, whom

legends say emerged from a giant cosmic egg, creating heaven and earth.  As the legends were

passed down orally, many versions exist.  Perhaps the most lyrical holds that when Pangu died,

his breath became the wind and clouds, his voice the rolling thunder, one eye the sun, the other the

moon.  One legend describes his tears flowing to make rivers and the radiance of his eyes turning into

 thunder and lightening; when he was happy the sun shone, when angry black clouds gathered in the

 sky.  This dog-headed kindly being was thought the father of the human race, and thence the emperors. 

 


 

 

Consider a case of endangered tortoiseshell & ivory for his own endangered "treasures"....

 

17th Century Ivory, Tortoise & Ebony Collector's Cabinet

c1660-1690, Northern Italy (probably) on Late 18th Century Stand)

 

The seven-dovetailed drawers with tortoise panels surrounded by ivory borders and ebony molding,

the central vertical door depicting a figure a carrying water jug, other engravings including a dachshund

 chasing a hare, scrolls, and soldiers, the sides with geometric inlaid further panels of ivory and tortoise;

the top and stand late 18th century English; inscribed verso

SOLD

  


 

 

Does his memory, passion or wish-list include rich farmlands?

- perhaps a tract from the Mississippi River Delta floodplains....

 

Norwood Creech

Arkansas / Tennessee, Contemporary

 

"Tracks and  Ruts"  

from: A Sense of Place : Arkansas

a series of black & white digital images of Arkansas

Exhibited: Askew, Nixon, Ferguson, Memphis, TN

   

Currently Featured in "Delta Crossroads, Summer 2010" - click to view the 2-page article

   

This series of photographs of Arkansas are executed with both power and sensitivity, imparting a rare

 insight to the land, and a quiet "Sense of Place" - that to many of us, seems only a memory of times past. 

   

Norwood Creech, painter and photographer, is the third in a family of female painters, all well

 schooled in the classical traditions in both painting and drawing.  Yet Norwood's style has emerged 

distinctively her own, combining the best of classical aspects with best of the contemporary spirit. 

She has already attained a strong auction record and had noteworthy honors and exhibitions.  

These honors include a Master Program with Wayne Thiebaud, at Santa Fe Institute; an exhibition

for the Lincoln Center Institute for Aesthetic Learning; and a residency at Dorland Mountain Artist

Colony, Temecula, California.  She has had numerous exhibitions, including the University of Memphis

Museum.  She is represented in some leading collections throughout the United States.

  


 

 

Does he enjoy fine wines - want to learn more about them?

You might consider a tastevin.....

 

French .950 Silver Wine Taster

Theodor Tonnelier, working in Paris from 1798

"TT" with upright plume above a plowshare in lozenge

Paris 1819 Guarantee Mark, 1838 Minerva First Standard

 

There are several recorded references to silver wine tasters as far back as 14th and 15th century

manuscripts. Most wine tasters (tastevins) come from France. The standard model is circular, and

between 3 ½ and 5 inches in diameter. The sides taper outward and the base is shaped like a dome,

the handle being decorative. They are frequently engraved with owners' names or initials. 

  

Often on the cup rim there will be rays (ojoohons) for light to reflect through white wine or

little wells (cupules), to deepen red hues

 

SOLD

  


 

      

 

    

  

Is he constantly watching The Weather Channel - adjusting the thermostat?

Give him the "green" way....

 

George III Mahogany Stick Barometer

George Adams, Jr.,  Instrument Maker to King George III

England, c1780

  

Of elongated form with an arched one-piece silvered brass plate inscribed "Adams, Fleet Street, London,"

above slender trunk with molded edges and exposed brass-capped tube terminating in a molded girdled

semi-hemisphere cistern cover, the plate with a manual 27 to 31 inch vernier sliding scale and thermometer.

  

George Adams Jr. succeeded his father as Instrument Maker to His Majesty King George III in 1773,

and was later designated Optician to the Prince of Wales.

He was considered one of the finest instrument makers of the 18th century.

  


 

 

Does he hunt, have hounds, or take tobacco?  This covers it all....

 

George IV Silver Hunting Snuff Box

Joseph Willmore, Birmingham, England, 1825

  

With intricately chased hunting scene depicting a hunter with his horse and three hounds

presenting two birds, a stag and a hare, before a castle and a shining sun, with further

animal embellishment in the corners.  The lid is meticulously cast, chased and applied. 

The interior is gilt to avoid damage from tobacco.

SOLD

  


 

 

Perhaps he already is an expert at wines -

this rare c1670 taster is the perfect gift for the connoisseur....

 

Charles II Provincial Silver Wine Taster

England, c1670

Maker's Mark Only (Indistinct), possibly West Country,

  

Although there are several records of wine tasters in English 14th and 15th century manuscripts,

the earliest British silver wine tasters are from the 17th century, with very few being made after

1750.  Most from the 18th and 19th centuries come from France. There were two forms : this

form with the shallow bowl and 2 wire loop handles, and a later form with domed center.

 Interestingly, wine tasters are an outgrowth of small tasters made during the medieval period to

taste contents of bowls, to convince guests that the food was not poisoned.

 

SOLD

 

 

  


 

 

How long has it been since he has played with a tractor?

 

Norwood Creech

Arkansas / Tennessee, Contemporary

 

Willow Row with Tractor  

from: A Sense of Place : Arkansas

a series of black & white digital images of Arkansas

Exhibited: Askew, Nixon, Ferguson, Memphis, TN

  

Currently Featured in "Delta Crossroads, Summer 2010" - click to view the 2-page article

 


 

 

Perhaps he has a wonderful shoe fetish?

 

Victorian Lacquer Shoe Snuff Box

England, mid 19th century

  

The lady's shoe with inlaid laces and lozenge

The interior with a cloth collector's label

 


 

        

 

Does he really like money - preferably "old money"?

 

"JAMES II GUN MONEY"

Ireland, 1689 & 1690

 

Halfcrown Dated 1690, King on Horseback Obverse

Halfcrown Dated May 1690, XXX Reverse and Jacobus II Obverse

Shilling Dated 1689, with Date Above the Crown, 9 Below Reverse, and Jacobus II Obverse

 

In 1689, James II, after only 2 years on the throne, was deposed by his son-in-law William of

Orange. James took refuge in Scotland, Ireland and on the Continent, landing in Ireland

in March of 1689, intent on using it as a base to recover the throne of England.

 

He quickly established mints at Dublin and Limerick, issuing token coinage struck, to be exchanged

for sterling silver upon his return to the English throne. The term "Gun Money" originates from the use

of canons in the production of the coins.  However, bells, cooking pots, plows, pans and

scrap were also used.

   

Gun money struck between March 1689 and late 1691 bore not only the year but also the month

of manufacture. The month placed on the coins indicated how long the coin had been held and how 

much it could be redeemed for.

 

SOLD

  


 

 

Unlike New York, I like this Philadelphia amazingly, and the people in it...I saw small

steamboats with their signs up...I shall make that trip... soon. (Mark Twain)

  

Anton P. Albers Jr.

American (Pennsylvania) 1908-1995

          

"Night on Front Street - Effects of the Rain"

Philadelphia, PA, c1945

Watercolor and gouache on Board

Unsigned

Provenance: Estate of the Artist

  

This illusive and finely painted watercolor scene of the Philadelphia mid 20th century harbor is

reminiscent of the works of James McNeill Whistler - the subtle colors lost into sepias accented

with a few lights - mistily depicted, yet fully descriptive of both locale and feeling.  A contemporary

Philadelphia review of a similar Albers painting states, "Albers' painting shows an unusually

quiet moment in the busy life of Philadelphia's maritime port.  Here in the world's largest

fresh water port, 1/7 of the nation's water commerce is handled.  Every 20 minutes a cargo

ship arrives or departs at one of the 267 wharves and piers that line the length of the avenue. 

Clanging locomotives, with their long lines of freight, honking trucks and drays shunt these

cargoes back and forth in a seemingly impossible maze of confusion and noise."

  


 

 

When Irish eyes are smiling,
Sure, 'tis like the morn in Spring.
In the lilt of Irish laughter
You can hear the angels sing....

 

Pair of William IV Anglo-Irish Cut Glass Pint Decanters

 c1830-35

 

Quite heavy, the slice-cut neck with two sets of plain double neck rings above slice cut shoulders,

the sides with further slice cutting as ovals within vertical V-cuts, polished pontils, the hollow mushroom

stoppers with V- and slice-cutting, corresponding frosted stoppers and neck-rings

 

 Double neck rings, pint sizes, very heavy glass and oddly fitting stoppers are all characteristic of Irish glass. 

 


 

Millicent Creech

Nicole W. Vander Zwaag

  

 901-761-1163 (shop) /  901-827-4668 (cell)

M. FORD CREECH ANTIQUES & FINE ARTS

581 S. PERKINS ROAD / LAURELWOOD COLLECTION / MEMPHIS, TN 38117

       

Hours : Wed.-Sat. 11-6, or by appointment 

Complimentary Gift Wrap Available Upon Request

mfcreech@bellsouth.net  / www.mfordcreech.com

 

 

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