Signed “Arthur Parton” l.l.
ARTHUR B. PARTON
Birth place: Hudson, NY
Addresses: Yonkers, NY
Profession: Landscape painter
Studied: W.T. Richards in Philadelphia; Pennsylvania Academy of Fine
Arts
Exhibited: National Academy of Design, 1862-1914, 1896 (prize);
Corcoran Gallery, 1907-08, 1910;
Brooklyn Art Academy, 1866-85; Philadelphia Centennial Expo, 1876; Boston
Arts Club, 1882-1909; NYC, 1886 (gold);
Pennsylvania Academy of Fine Arts Annual, 1889 (Temple gold medal), 1891,
1896-97, 1905; Paris Expo, 1889; St. Louis Expo,
1904
(medal); Art Institute of Chicago
Member: Associate National Academy, 1871; National Academy, 1884;
American Water Color Society; Artists Fund Soc.
Work: Brooklyn Institute Museum; Indianapolis Art Academy;
Metropolitan Museum of Art
Comments: Best known for his landscapes of the Adirondack and
Catskill mountains, Parton was a well-known figure
in the New York art world who exhibited annually at the National Academy for
more than half a century. From 1874-93, he kept
his
studio at the Tenth Street Studio (51 West 10th St.). He had visited Europe
in 1869, and was influenced by the Barbizon style,
but
his work still retained a closer affinity to the second generation of Hudson
River School painters. In 1872, his view on the Shenandoah
River, VA, was published in Bryant's Picturesque America. He was one
of the Parton brothers, with Ernest and Henry.
Sources: Who’s Who 1913; Wright, Artists in Virginia Before 1900;
exhibition catalog Columbia County Historical Soc.
(Kinderhook, NY, 1998); Falk, Exhibition Record Series.
This biography is drawn from
the "Who Was Who in
American Art"
, the reference book on the cultural life in the
United States.
Known as a Hudson River
painter, Arthur Parton was born in Hudson, New York to a religious
family supported by a
cabinetmaker father. He enrolled in the Pennsylvania Academy of Fine Arts as
a student of
William Trost Richards
who remained a strong influence.
In 1864, he moved to
New York City and exhibited regularly with the National Academy of Design
until 1865
when he went to Europe.
In 1874, he and his wife moved into the Tenth Street Building in New York
City, and he kept his studio
there until 1893. He
spent summers painting in the Adirondacks and Catskill Mountains and also in
England and Scotland.
He explored several
styles including Tonalism and Impressionism.
Source: Michael David Zellman, "300 Years of American Art"
Museums (14):
The
Metropolitan Museum of Art
High Museum of
Art
The Brooklyn
Museum of Art
The Newark
Museum
George Walter
Vincent Smith Museum
Museum of Fine
Arts-Springfield
The Hickory
Museum of Art
|
The Hudson
River Museum
Allen Memorial
Art Museum
Reading Public
Museum
Robert Hull
Fleming Museum
The Washington
County Museum of Fine Arts
Heckscher
Museum
Indianapolis
Art Academy
|
Periodicals:
American
Art Review,
October,
1998, Landscapes the Parton Brothers
Books (42):
Bailey,
James, History of Town of Keene, N Y
Dunbier,
Lonnie Pierson (Ed), The Artists Bluebook
Spanierman Gallery, Fine American Art from 1845 to 1960
Davenport, Ray, Davenport's Art Reference: The Gold Edition
Falk,
Peter Hastings, Who Was Who in American Art1564-1975
Calo,
Mary Ann, Critical Issues in American Art
Driscoll,
John Paul, All That Is Glorious Around Us
Barnhill,
Georgia B, Wild Impressions, The Adirondacks on Paper
Carr,
Carolyn K, Revisiting the White City, American Art at the 1893 World's Fair
Baekland,
Frederick, Images of America, The Painter's Eye, 1833-1925
Falk,
Peter Hastings, Annual Exhibition Record, 1901-1950, National Academy of
Design
Gerdts,
William H, Art Across America (East) ( Vol 1)
Blaugrund,
Annette, Paris 1889, American Artists at the Universal Exposition
Falk,
Peter Hastings, Annual Exhibition Record, 1876-1913 Pennsylvania Academy of
the Fine Arts
Falk,
Peter Hastings, Annual Exhibition Record, 1807-18, Pennsylvania Academy of
the Fine Arts
Falk,
Peter Hastings, Dictionary of Signatures & Monogram
Howat,
John K, American Paradise, World of the Hudson River School
Opitz,
Glenn B, Mantle Fielding's Dictionary American Painters, Sculptors,
Engravers
Zellman,
Michael David, 300 Years of American Art
Falk,
Peter Hastings, Who Was Who in American Art Artists Active 1898-1947
Brooklyn
Museum, American Watercolors, Pastels, Collages/The Brooklyn Museum
Wright, R
Lewis Artists in Virginia before 1900
Newark
Museum, American Art in the Newark Museum
Perkins,
Robert/Wm J Gavin III, The Boston Athenaeum Art Exhibition Index 1827-1874
Brooklyn
Museum, American Paintings/Brooklyn Museum
Springfield Library & Museum, Museum of Fine Arts The American and European
Collections
Flower,
Dean/Francis Murphy, American Paintings, Watercolors and Drawings
Heckscher
Museum, American Painting
Naylor,
Maria, Exhibition Record 1861-1900 National Academy of Design
Tomasini,
Wallace, Paintings/Midwestern U Collections
Earle,
Helen L, Biographical Sketches of American Artists
North
Carolina Museum of Art, North Carolina Collects (loan exhibition N Carolina
owned)
Clark,
Eliot, History of the National Academy of Design 1825-1953
Mallett,
Daniel Trowbridge, Index of Artists, International Biographical
Hartmann,
Sadekichi, A History of American Painting
Neuhaus,
Eugen, The History and Ideals of American Art
National
Academy of Design Commemorative Exhibition 1825-1925
Universal
Exposition Editor, Saint Louis, Louisiana Purchase Exposition, 1904